A representation of musical dialects (PHD thesis) - download pdf or read online

By Levitt D A

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Play a swept-stroke on the B string and let the pick rest against the string. ✦ Play a swept-stroke on the E string and let your hand follow through. ✦ Now repeat the pattern by playing a downstroke on the high E string. Picking Pattern #10 (Triplet Pattern #3) CD Track #11 3 3 3 3 3 3 3 3                      s s     s s     s s     s s   0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 Picking pattern #11: Double Bass pattern Picking Pattern #11 is a pattern that is used by Gypsies for accompanying ballads or for solo guitar pieces.

Now play an upstroke on the high E. ✦ Play another downstroke on the high E and let your hand follow. ✦ Play a downstroke on the B string and let the pick rest against the string. ✦ Play an upstroke on the B string. ✦ Play a downstroke on the B string and let the pick rest against the string. ✦ Now repeat the pattern by performing a swept-stroke on the high string. Picking Pattern #8 (Triplet Pattern #1) CD Track #9 3 3 3 3 3 3 3              3                            s    s    s     0   s  0 0 0 0     0 0 3 0 0 0 0   3     0 0 0 0 0  s 0 0 0 0     0 0 3 0 0 0 0   3     0 0 0 0 0  s 0 0 0 0 0 0 ● ✦ PART THREE ✦ BASIC TECHNIQUES AND PICKING PATTERNS 27 Picking Pattern #9: Triplet Pattern #2 Picking Pattern #9 is a triplet pattern played over four strings.

16 Notice that it is an eighth-note triplet pattern, which differs from the previous syncopated eighth-note pattern. The picking is the same for both, but the relationship to the beat is different. “Nous’che, Wasso, Stochelo, and a lot of the other older musicians would test us when we were little. They would play a song and intentionally put mistakes in it. ” –Paulus Schäfer 16 "Michto Pelo" appears on the Boulou Ferré CD Pour Django (SteepleChase SCCD-31120). 2 (Cymbalom Pattern) CD Track #22 3 3 3 3 3 3 3 0 1 0 5 2 0 0 0 4 3 0 5 3 0 2 0 0 0 3 3 1 0 0 5 3 2 0 0 4 3 2 0 1 2 2 1 2 3 2 5 3 1 1 5 0 0 4 0 0 5 0 0 0 0 0 5 0 0 4 0 0 5 0 0 5 4 0 1 4 5                          s    s   s   s   s   s   s   s     2 3                          s   s   s   s   s   s   s   s    2 5 Picking Pattern #5 The following chromatic ascending/descending (Ex.

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A representation of musical dialects (PHD thesis) by Levitt D A


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